Productions > Unseal Unseam at Highways Performance Space Oct. 2017

Unseal Unseam: An electroacoustic opera
With original composition & sound design by
Sharon Chohi Kim & Micaela Tobin
Libretto by Cordelia Istel

Sharon Chohi Kim & Micaela Tobin as Judith
Lauren Davis, Tany Ling, Kathryn Shuman as The Wives

Shannon Kennedy, cello & additional sound design
Lenka Moravkova, The Bohemian Cristal Instrument
Prudence Rees-Lee, cello & percussion

Creative Team:
Director & Scenographer, Shannon Knox
Lighting & Projection design, Kerstin Hovland
Assistant Lighting Design, Lauren Sego
Stage Manager, Susan Kim

%Produced by Highways Performance Space
Artistic Directors Leo Garcia & Patrick Kennelly%

"Hands-up-don't-shoot-horns" sculptural instruments featured in this performance were created by artist Elana Mann:
Elana Mann (b. 1980, Boston, MA) explores voice, sound, politics and form. She has presented her artwork in city parks, museums, galleries, and buses both nationally and internationally. She is a recipient of awards from the California Community Foundation, the Center for Creative Innovation, the Rema Hort Mann Foundation and the Foundation for Contemporary Arts. Her projects have been covered by Artforum, the Los Angeles Times, LA Weekly, O Globo, El País, La República and X-Tra Magazine, among others. She received her BFA with honors from Washington University in St. Louis, MO and her MFA from California Institute of the Arts, Valencia, CA. Mann lives in South Pasadena with her partner and son.

Photographs by Katie Stenberg
Video by Dalton Blanco

Special Thanks:
Our Friends and Family
Leo Garcia & Patrick Kennelly
Darren Carter
William Hutson
John Henningson and Thymele Arts Rehearsal Spaces
Elana Mann
Dalton Blanco
Anna Petrisko
Jonathan Snipes
William Hutson
Katie Stundberg
Maria Garcia
Kerstin and Electronic Countermeasures

And a special thank you to Andrew Kim and our generous donors, who helped bring this show to life.

Unseal Unseam is a retelling of Béla Bartók's classic opera, Bluebeard's Castle, viewed through the eyes of his wife, Judith. In this piece we examine the too-often invisible world of domestic violence in order to hold space for healing and solidarity. Using a combination of extended vocal techniques, noise and electronic music, composer Sharon Chohi Kim and sound artist Micaela Tobin create a lustrous cacophony of amplified objects and operatic singing. Director Shannon Knox and librettist Cordelia Istel reimagine Judith travelling through her own psychological purgatory to reclaim her life. Together, we invite you to witness the intimate rituals of Judith’s transformation.

The libretto was created with the donations of stories from experiences with domestic abuse. We would like to thank the anonymous participants whose beautiful responses gave voice to our Judith.

Metal Room
Silent Room
Clay Room
Water Room
Crystal Room